Star Trek Into Darkness (or, Star Wars Episode VI 1/2: Vengeance Of The Khan):
Here’s where I stand on the whole Star Trek thing: I love it. I’m
talking the original series and its six movies. I don’t really have much
in the way of nice things to say about the “Next Generation” shows (or
“Enterprise”) beyond “there were a couple of really good episodes and a
passable movie or two,” so I’m definitely not going to dwell on any of
that. But, yes, I love Kirk, Spock, Bones, and the whole original Star
Trek thing. I’m definitely not a Trekkie (or Trekker, or whatever
nickname the hardcore fans feel the need to label themselves with). My
gateway drug came in 1982 with Star Trek II: The Wrath Of Khan
(or, more specifically, whenever it ended up on Showtime/HBO). I mean, I
already knew the basic mythos through osmosis- Kirk was the brave
maverick ladykiller, Spock was the logical one, McCoy was emotional,
Scotty was, uh… Scottish… but it was Wrath Of Khan that got me watching
everything else. And, full disclosure here, I haven’t even seen all of
the original episodes. I own them all (those remastered HD Blu-Rays are
really, really great, you guys), and I pop them in every once in a
while, so someday I will have seen them, but there are a small handful
that I’ve missed. And I’m cool with that. If I was even half as
obsessive about consuming (and re-consuming) all things Trek as some
people are, I’d have grown tired of it years ago.
OK. So.
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Star Trek Into Darkness is not a great Star Trek movie, considering the decades-spanning quality of the source material. But I had a friggin’ blast.
Random thought/tangent: A director is given all the pieces of a
puzzle and it’s his job to put it together. But he doesn’t always create
the pieces. Independent films often have the luxury of having the
director wear many hats- producer, writer, editor, sometimes actor… but
on a big Hollywood blowout like this, somebody “famous” like J. J.
Abrams is basically a glorified hired gun. A big studio basically says,
“come in and make something great out of the tools we’re giving you.”
Problem is, sometimes, mixed in with the pneumatic screwdriver, the
variable speed orbital sanders, the heavy-duty Milwaukee Sawzalls, and
the Titan Powrliner 850 Airless Spray Painters is a plain old ball peen
hammer. But there’s no time to go out and buy a DeWalt nail gun, as you
need to get this deck built by 3PM. And, hey, a hammer still works… it just doesn’t get the job done with style.
Writers Roberto Orci and Alex Kurtzman are that hammer. And, given the
amount of work Double-J is doing these days, squeezing him in for a
second go-around on this new franchise means getting down on his hands
and knees and pounding that nail. It also means the Spray Painter is
going to get some serious overtime to make some of those bent,
off-center nails look as good as possible.
Yeah, uh… I got a little off track there. But you get what I’m trying to say, right?*
So, the movie- it’s fun. I still like all of these newbies’ takes on
their characters (Sulu, Chekov, and even Bones are a little underused,
but they’re all great). I liked the idea that this Federation, because
of the events of the first 10 minutes of Trek 2009, has to struggle to be the peaceful organization of the days of yore. I liked the retooling of Season 1′s Space Seed, in
the context of what I just mentioned, of course, but also in the
context of modern-day world issues like terrorism and the fallout caused
by nouveau-empire-building. I liked Benedict Cumberbatch’s Khan (yes,
that’s at least partly due to my Cumberbatch man-crush). I liked the
pacing. I liked the FX. I liked the spectacle of it all.
[ You Might also like:2013 Midterms, Part 1: Bloody, Post-Apocalyptic Metal Men. ]
I didn’t like the writing… but you knew that already. Literally all
of the things I mentioned in that last paragraph I liked because I
recognized the basic ideas Orci & Kurtzman tried,
albeit ham-handedly, to present to us. I didn’t like the opening
sequence (too much emphasis on “cute,” not enough (if any) emphasis on
logical storytelling. (Why did Kirk steal a scroll from the
natives? Because it initiated a movie-opening chase sequence, dummy!)). I
didn’t like that, when all was said and done, this was another
origin story. I didn’t like Alice Eve. I didn’t like the obligatory
Nimoy cameo (although, I’ve been told that in a crowded theater that was
a more electric moment) I’ve never jumped on the “JJ Lens Flare” hate
bandwagon, but I definitely didn’t like that his response to everyone
else doing so was to triple his use of them here.
OK, it’s time to mention Star Wars.
I’ve never subscribed to the idea that you are either a Star Trek person or a Star Wars person. I have lived most of my life as a fan of both, through both the peaks and the gungans
valleys. Just because both have spaceships shooting energy weapons
doesn’t mean they’re in the same ballpark. That would be like saying Home Alone and Pan’s Labyrinth
are cinematic equivalents because they both feature a child
protagonist. The biggest difference between the two, on a very (very)
basic level, is that Star Trek deals heavily with the science part of sci-fi, while Star Wars leans more heavily on the fiction part. If Kirk & Co. are trying to figure out how to heal this creature they found in a cave, Spock is going to explain why normal medicine isn’t going to work because the creature is a silicone-based life form. In Star Wars,
a freezing, injured, dying-from-exposure Luke Skywalker can just be
thrown into a tank with tubes coming out of him and we understand that’s
just how healing gets done. In Star Trek you may get an
explanation on how phasers work in order to to set up why one needs to
be recalibrated (for plot purposes, or something). In Star Wars,
blasters work because they’re guns, and we know what guns do (no one
ever had to explain how Josey Wales’ Colt Walker 1847 worked…). In Star Trek, Khan will almost defeat you with the aid of mental and physical prowess. In Star Wars, Darth Vader will almost defeat you with the aid of mysticism and faith.
So… why do I bring this up? Because Star Trek Into Darkness is
really a Star Wars movie in a United Federation Of Planets uniform.
Sure, it references past Trek glories and occasionally uses
pseudo-science to explain things, but those explanations take a back
seat to spectacle, emotion, and plot momentum. And for some, namely the
hardcore Trek peeps, that’s like eating pudding with thumbtacks in it.
But it ain’t the first time a beloved franchise (god, I HATE that I just
used that word…) has blurred its well-established, very bold line between science and fiction. I refer you to The Phantom Menace and the dumbassery that was midichlorians (god, I hate that I just used THAT
word…). If you’re an angry, hardcore Trekker, hell-bent on shaming the
world for daring to enjoy this year’s Trek-Lite, now you know how the
angry, hardcore Star Wars Heads felt in 1999. So, let’s let the two
cancel each other out and move on with our lives, yeah?**
Oh, I also bring it up because it means that with J.J. at the helm, we might actually get a decent Star Wars movie in 2015. Star Trek 2009 and, even moreso, Star Trek Into Darkness feel, to me, a lot like Abrams dipping his toe in the thematic waters of a galaxy far, far away.
[ You Might also like:2013 Midterms, Part 1: Bloody, Post-Apocalyptic Metal Men. ]
Anyway, despite the fact that Star Trek Into Darkness was a
big, loud, ADD summer movie, more Star Trek in name than in execution,
I’m good with it. We will always have the original series & the
original movies, and we can go back and revel in their greatness
whenever we want. But when we want, on occasion, to consume the junk
food version, brimming with both obscure and blatant “wink-wink”
references, unearned partial nudity, big explosions & fisticuffs,
and not-so-scientific science, we have 2009′s Star Trek and 2013′s Star Trek Into Darkness. As a person who still enjoys McDonald’s about once a month, I can get behind that.
*I need to make this clear- I’m not
suggesting J. J. Abrams is some kind of major visionary and deserves
your undying love. Far from it. If he were more of an artist he’d
probably have the time to demand a better script… or even have the basic
understanding that he needed one.
[ You Might also like:2013 Midterms, Part 1: Bloody, Post-Apocalyptic Metal Men. ]
**Angry, hardcore Star Trek enthusiasts
& angry, hardcore Star Wars fanatics- I love and respect your
passion. Seriously. I just don’t dig your attitude sometimes.
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